A view of the stairs that lead from the exhibition space to the upper studio. Notice Fiona Hall's Leaf Litter greeting you as you ascend the first flight of stairs.
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In the exhibition space, you can see Rosalie Gascoigne's piece, Top of the Morning, on a wooden frame, suspended on wire from the timber trusses.
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(Marker, N.B- This is the model which I have chosen to further develop for my final submission.)
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